A 5 CD box set of compositions written by Michael Pisaro-Liu using field recordings captured along the Grosse Muhl River in Austria during the 2011-15 Flussaufwartstreiben project, now accompanying performances made along that river by Antoine Beuger (flute), Jurg Frey (clarinet), Marcus Kaiser (cello), Radu Malfatti (trombone), Andre Moller (guitar), and Kathryn Pisaro (oboe).

An unusual album for American composer Michael Pisaro-Liu: six works based almost entirely on samples, punctuating more characteristic work in keeping with his Wandelweiser and EMW work with rhythmic and popular forms, albeit with Pisaro's characteristic inclusions, surprising the listener in an illusionary approach yielding serious electroacoustic compositions.

Largely derived from piano recordings by Netherlands pianist Reinier van Houdt, a member of both the Ensemble MAE and the Ives Ensemble and heard on the Wandelweiser label, expanded by several field recordings recorded by Michael Pisaro-Liu in Syros (Greece), creating a work in three pieces of rich environments that contrast peaceful passages with powerful ambiance.

The MaDam Electroacoustic Improvisation Collective based in Spain performs the first in Pisaro's 34 piece Harmony Series, which attempts to create the conditions for a harmonic situation without giving any actual notes, just numbers, durations of tones, and pauses; this work is based on "swell piece (for alison knowles)" (1967) by James Tenney.

Two rich sound works: "Grounded Cloud" which gathers fragments of noise and tone into a continuous fabric; and "Hearing Metal (4)", an investigation into metallic resonance, performed by Pisaro with Dedalus members Stephane Garin (percussion) and Didier Aschour (guitar).

erstwhile records releases their first CD on their ErstClass imprint, issuing and collecting historically important work, here with composer Michael Pisaro-Liu's piano works from 1994-2016, 11 compositions performed by Netherlands pianist Reinier van Houdt.

A collection of materials for solo guitarist, written by Michael Pisaro-Liu and here performed by Christian Alvear, presenting the performer with up to 12 fragments which can be played in any order and which allow for various transformations, cuts, extensions and silences.

Michael Pisaro-Liu & Greg Stuart collaborate on a work scored for bowed crotales and sine tones in 4 large pieces, a challenging work that provide hallucinatory overtones that shift with the listener's perspective.

Pisaro's fascinating composition created with guitar, bass, percussion, radio, electronics, and field recordings, using long gaps of silence resolved through a dynamic set of rich audio sections.

Michael Pisaro-Liu's compositions for translations of Oswald Egger's "Diskrete Stetigkeit, Poesie und Mathematik", performed with Pisaro, Egger, Julia Holter, Taku Sugimoto, Graham Lambkin (who also provides audio), &c.

Composer Michael Pisaro-Liu teams up with Toshiya Tsunoda for an 85 minute work in 8 sections developed over 14 months, a profound saga of subtle lowercase interactions using electronics and field recordings.

Pisaro's "fields have ears" started as a simple work for solo classical guitar and sine tones, but has developed into this extended work augmented with turntables, radios, records, field recordings, and earlier Pisaro pieces.

The third part of composer and performer Michael Pisaro-Liu's "Hearing Metal" series, Pisaro providing sine tones, performing with Greg Stuart on 16 suspended cymbals plus grains/surfaces.

Three versions of Pisano's composition based on Wallace Steen's poem: a reissue of the original version; an alternate version with different field recordings; and one with the percussion parts alone for the listener to add their own fields recordings.

The second part of composer Michael Pisaro's "Hearing Metal" series, Pisaro performing on field recordings, radio, guitar, sine tones, with Greg Stuart performing on a diverse set of percussive instruments.

Ricefall (2), the 2nd is a 72-minute piece for 64 separate tracks of rice falling on objects, performed with percussionist Greg Stuart, a composition of unusual dynamics and pacing.

Beautiful, subtle improvisations from electronic artist Michael Pisaro-Liu and guitarist Taku Sugimoto, who composed & recorded their tracks separately and collaborated on the mixing.